Resource- Crowdsourcing Invention Literacy at #SXSWedu

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It’s time for the final reflection post from SXSWedu! Here is a link to the first post on sharing mistakes and failing forward, and the second post on the importance of exploring materials. 

Invention Literacy Core Convo

Invention Literacy

If you have never been to a core conversation at SXSWedu, it’s a unique experience in a conference setting where educators sit Socratic seminar style and the presenters ask the audience questions. In this post, I’m including our questions and the audience responses. In the instance where I could decipher who said the quote in the recording, I put the name of the audience member. See full set of questions with embedded resources here. (Since the presentation is made in Adobe Spark, it is best viewed on a computer.)

Ques and Ideas from the Invention Literacy Core Convo

Defining Invention Literacy – How would you define it?

  • “Helping students understand how to create things or bring things into being.” Sam Patterson
  • “The ability to look at existing objects and realize they are brought into being too.”
  • “You have a set of skills that allow you to think about problems differently.”
  • “Tools- That enable students to approach something and being able to create.”
  • “Ideas can be thought of as tools. When should we think about ideas as tools vs truth? ” – Jay Silver

Why is Invention Literacy Important?

  • “What idea can I put out into the world as a stepping stone that is graspable? So that we will have a fabric of independent thinkers that form their own world view? So they can think of beautiful things or work together as humanity?” – Jay Silver
  • “Because it’s fun and it’s engaging.”
  • “To create independence. To create the ability for them (our students) to not rely on just one thing.”
  • “Great chance for learning how to fail and stick-to -it-ive ness” – Leah Mann
  • “To introduce them to uncertainty. And teach students that they can figure out how to do things. You can just think about what’s in front of you and come up with a solution.” – Sam Patterson
  • “How do we keep our students from losing their sense of wonder as they grow older?”- Me
  • “Kids are naturally inquisitive and we need to harness that. Allowing them to make and create, gives them the forum to answer their own questions and not rely on other people. ” – 1st grade teacher
  • “Kids can ask their own questions and find their own answers.” – 1st grade teacher (Develop agency in our students at a YOUNG AGE!)
  • “It’s empowering!”

What is the most important thing on your mind right now about education?

At one point, Jay asked everyone in the room to voice “The most important thing on your mind right now about education?” Then he scanned the room and gave every audience member a chance to voice their thoughts.

  • Critical Thinking*
  • Agency*
  • Empathy*
  • Fostering Creativity*
  • Self Directed Learning*
  • Problem-Solving
  • Following own Interests
  • Joy
  • Relationships
  • Challenging
  • Ownership
  • Empowerment
  • Learning Through Failure
  • Student Voice
  • Equity

*Top Five Most Mentioned

You can’t hear this in the sound recording, but you can watch this vocal chorus about 12:00 in on the video below:

How/ When Should We Introduce this Concept of Invention Literacy?

  • “In some schools, the staff want it to be after school, but how is this equitable for all students?” – Steven Muniz
  • “It should be offered during different times during the school day and embedded in the curriculum because the “one size fits all” method doesn’t work for our students”- Leah Mann
  • “It has to be intentional, but teachers feel like they have to have ‘something come out.’ Instead, teachers have to re-think what they do and that might make some of our teachers uncomfortable. Even so, it should be seen as interwoven into our curriculum. (Other things do not have to go.)”
  • “It is critical that we see it as a key component of the curriculum, but if we only do it after school or as a special, then our kids see it as a nice thing, but not an essential thing. We have to make time for it and our kids need to see it as intentional and part of the critical work that we do. It’s not at the expense of the other things we do, this ties into everything and it’s the connecting piece.”
  • “We put a lot of energy into creating fake problems. Why not use real problems?”

“How Do We Build Fluency for Invention Literacy?”

Invention Literacy Core Convo (8)

  • “Just because you’re learning to write, doesn’t mean you are going to be a writer. You don’t have to be an inventor, but do we need to be able to deconstruct and reconstruct our world?” – Jay Silver
  • “Is literacy actually finding out about what we don’t know?” – Jeff Branson
  • “Is there an invention literature? Can we read it? Can we discuss it? Can we view it? Enjoy it? Can we modify it? Will a culture grow up around inventiveness and the human made world and the definition of what is possible? In that culture, is it cool/ playable to invent?” – Jay Silver (listen to this on the recording about 30 min in.)

What/ Where is Invention Land? What is a feature of Invention Land?

Jay’s question here references Papert’s address to Congress where he ask Congress, “If you have 90% of people coming out of French classes, not really speaking French, do you say, ‘Maybe those people don’t have a mind for French? It’s not our fault.’ But then if you take those kids and you grow them up in France, they’ll all be able to speak French. So in a math class if only 10% of them feel like they are a math person, or is there a place? Like math land? Where we can grow them up to be mathematicians?”

Invention Literacy Core Convo (2)

  • “You’d have to have the mindsets and tools be just as important as the tools for reading, math, etc.”
  • “If we grow these habits of mind when they are young, kids can carry them on to middle school and high school.”
  • “There would need to be a need for it. You learn French in France because you need it to survive. Right now, they need English just to pass a course. There needs to be an authentic need for invention for it to catch on.”
  • “Invention land means there is a time built in, and there is support from admin and leadership where teachers can be inventors too and they get a chance to explore, play, and learn. Because they need to be comfortable with setting up the environment where students can flourish.” -Leah Mann
  • “There is a culture that needs to be passed on. I run workshops the same for teachers as I do for students. They need to experience the fun.” – Jay Silver
  • “In Inventionland students will all say ‘Yes and’ instead of the word ‘but’ so it will allow for the continuation of an idea rather than the stopping of an idea.”
  • “Teachers need to be allowed to play and learn and do these things in Invention Land so they will be inspired to allow students to do these things as well. Teachers have to be learners first.”
  • “The stuff our kids make, does not have to be stuff that they sell. Every kid does not have to grow up to be an inventor, but they can still learn the literacy of invention.” – Me
  • “You need the environment where it is safe to fail even at the upper admin level.”
  • “You have a conversation with materials, and the people around you.” – Jay Silver
  • “There is no magic path to invention. Just like there isn’t a magic path to writing.” – Me

If you’d like, you can actually listen to the whole core convo below: (However, since some participants did not use the microphone, you will not be able to hear them responding and will have a few minutes silence dispersed throughout the recording.)

Slides and Resources from our talk are available here.

The World Needs More Inventors

Another great session that discusses the importance of invention literacy and creative constraints was The World Needs More Inventors, Starting with Kids (Unfortunately I missed the session in person, but thanks to SXSWedu and Soundcloud, I was able to listen to it later. And you can too below!)

Let Kids Learn the Way They Want to Learn – No Judgment

One of the most astounding a-ha moments I had listening to this session was when Emily Pilloton asked, What is the balance between constraints and freedom? Are you giving them a kit, or are you saying go invent something?” (This conversation starts about 35 min in on the recording.)

Danielle Applestone responded: “It depends on if there is judgement involved. Are we judging kids who want to do kits? Or people who need a little more guide rails? Are we measuring results? I oppose judgment. It’s fine for people to say, I’d like to work on this thing, can you help me? Do we give people constraints or total freedom? Sometimes people need constraints because the world is infinite and I can’t picture all the possibilities. So some constraints are good to get started, but if someone is rolling? Just let them roll. The more you can stand back and say, ‘They’ll come to me if they need something.’ That’s more important than following LEGO instructions (but that is also a satisfying exploration in its own way.)”

Liam Nilson: “It’s like the infinite library paradox. If there is an infinite amount of different books to read, how would you decide what to read? Unless you are super invention literate to start with, it’s hard to look at your whole makerspace supply shelf and know where to start. Especially if there is some hidden judgment there….. Sometimes constraints can be interesting too. If you are doing something with a group, and say you want them to make houses of cardboard and you can’t use tape or glue. Then kids will work together to find interesting solutions to get around those constraints. Conversely, if they are going to get an F if they help their friend, then you won’t see them exchange those kinds of ideas.”

Emily Pilloton: “I appreciate when things feel so constrained, you have to wriggle your way out….I give my students this specific set of guidelines, so that inevitably they find ways to try and break those rules…I want to set up conditions where they (my students) are negotiating what rules are breakable and what rules aren’t…. Constraints can actually open the door to immense freedom.” (You should listen to this full anecdote about 40 min in.)

Personally, I appreciate this open and honest conversation about a grey area of making. And I think one of the most important points in this conversation is that we as positive educators should not be passing judgement on others. If a student wants to follow LEGO instructions, let them. If they want to explore materials and never make a final product, let them. To refer back to my last reflection, as Patrick Benfield says, “All making is valid.” That’s why it is important we continue to have these conversations with other educators.

Here are some of my other favorite quotes from this session!

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Resource-Interactive #blackoutpoetry with Makey Makey and Scratch

 

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Last April, my students hacked poetry month with Makey Makey and Scratch. You can read about our experiences in Makey Makey Hacked Poetry Month, part two with more examples, and then try it yourself with this resource page. I loved this journey of hacking literature with Makey Makey, and when I interviewed David Saunders for our Challenge Based Learning book this summer and he mentioned making black out poetry interactive with Makey Makey and Scratch…..my immediate response was YES! An English teacher favorite “Blackout Poetry” hacked with Maker ed? That’s my kind of making and literacy connection! What follows is the way I co-taught this class with RHS teacher Katherine Myers. I wanted to post the whole lesson here since this was actually the first time our juniors were introduced to Makey Makey and all of our process for this awesome maker activity might not be evident.

Introducing Makey Makey

Once students sat down in our maker classroom area of the library, I thought it would be fun to play the video that led to my own personal Makey Makey obsession. When I watched this banamaphone video in 2013 I knew I had to have a Makey Makey. After sharing this example, I hooked my own poem up on this large post-it and played my example poem by touching the graphite blacked out areas.

Finding Poetry

Mrs. Myers and I didn’t want to go too far into how a Makey Makey works before having students “find” their own poetry. So after the initial example, we had them start looking for words that intrigued them. We had sections of discarded book pages on each table and we asked students to rip a page from a book and then deface it by circling or underling 10 or more words that interested them. (We have to make things interesting to get high school kids on board sometimes! )

But, Mrs…. isn’t this plagiarism? 

I loved this question. I told the students while it is okay to borrow and steal words and very short phrases from other authors, if they took more than 3 consecutive words then they’d be plagiarizing. The point is not only cut some words and the poem to still sound like the original poet’s work. The point is to discover intriguing words and re-use them for your own purposes. (Hmm…. sounds a little bit like hacking….)

After identifying words, we had the students re-look over the words that interested them and start to look for groupings of words and phrases that might make for lyrical poetry. I explained that they could use the words out of order since they are going to make it interactive, so they just needed to label the order they’d want to read their poetry. At this point, they were ready to start blacking out most of the original poem.

SXSW quotes (2)

Explanation of How Makey Makey Works

After about 20 minutes of poetry making, I stopped students and had them open their boxes to explore the contents of the Makey Makey Construction kit. We talked about why test leads are called alligator clips (chomp chomp) and then I had them look at the front and back of the Makey Makey as I explained what a microcontroller is and why they are important.

Why should you care about microcontrollers? Because they control everything in your world. From a computer mouse to handheld calculators, to the display on your microwave. A lot of these electronic devices we are drowning in all have a very simple AND SMALL computer inside of it. And that microcontroller does ONE thing REALLY well.  (I borrowed some of this wording from Shawn Hymel’s micro:bit tutorial!) So what if you could invent something that does one thing really well?

I showed the students were the microcontroller is located on the Makey Makey and then had them guess what the function is of a Makey Makey. (Most remembered the banana piano, some figured out it controls computer keys…..)

Testing and Drawing

Instead of telling them how to make it the blackout poetry work with Makey Makey, I wanted students to explore how to complete circuits on their own time. So we had a few examples handy of other student versions of black out poetry, but I told students I really wanted them to discover the information on their own. I even asked them, “Why do you think I want you to figure it out yourselves?” To which they responded, “So we’ll learn it! Duh, Mrs. Graves”

To explore how Makey Makey works, I had students plug in the USB, but not even sign into the computer or go to any particular webpage. I wanted them to see how to complete circuits just by using their hands, and then extending the key presses with wires and graphite drawings (I had 6B art pencils available at all tables.) Mrs. Myers and I noticed that this act of discovery and scientific learning in the English classroom kicked most of our students into hyper-engagement mode. The classroom atmosphere shifted and our students began testing, troubleshooting, and figuring things out.  We gave them 20-30 minutes to test out blacking out words and making Makey Makey connections. One of my favorite aspects to learning circuits by drawing them was that the students could mess up and then erase their markings to fix mistakes. Such a safe way to fail forward!

Watch this student troubleshooting below:

Super Quick Scratch Intro

After most students had working circuits, I gave the kids a super quick Scratch intro and showed them where the “Event” palette, “Sounds” palette, and Sounds tab were located in Scratch. Again, I told them, here’s a little info, but really you need to figure out how to do it on your own. At this point the kids were invested and started moving around the library to find quiet spots to record their voices reading the different stanzas of their black out poetry.

It was a GREAT couple of days of process over product, and I’m so thankful Mrs. Myers loaned me her students. Now we are on to thinking about to incorporate Scratch into another ELA lesson while the learning is fresh!

Please enjoy some of our student’s work below. If you comment on Twitter, we’ll be sure to let them know you enjoyed it:

(This particular student above asked, “Why can’t every day of English class be like this?”

I loved how the student above was making this in our soundbooth while some of his friends were making music to accompany it. This made him perform it more like hip hop lyrics.

Butterfly Effect

Teachers are loving this idea that I shamelessly stole from David Saunders! I’ve got educators in Canada tweeting their iterations of this project and Michael Medvinsky is collaborating with others to make their own Poet-tree interactive display in his school library!

So how will you make your poetry interactive?

Want more Makey Makey Activities?

20 Makey Makey Projects for the Evil Genius (that I co-wrote with Aaron Graves) will be out next month!